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STUDIO ACTIVITIES
OUTREACH
SCHOOLS & COLLEGES
SCHOOLS & COLLEGES
In devising suitable printmaking activities for schools we have been sensitive to the particular challenges that the classroom environment can hold. We have specifically developed accessible approaches to creative printmaking that do not depend on sophisticated equipment or hazardous materials for their success.
In addition our inset courses for teachers are designed to pass on our experience and expertise in a simple and enjoyable way, ensuring that the methods and techniques that we demonstrate will translate successfully to the classroom.
Much of our outreach
work has been in schools and to this end we have developed specific
workshops tailored to this sector. In devising suitable printmaking
activities for schools we have been sensitive to the particular
challenges that the classroom environment can hold. We have specifically
developed accessible approaches to creative printmaking that do not
depend on sophisticated equipment or hazardous materials for their
success.
As well as workshop
aimed directly at children, we offer a programme of
inset courses for
teachers and educators. Our courses are designed to pass on our
experience and expertise in a simple and enjoyable way, ensuring that
the methods and techniques that we demonstrate will translate
successfully to the classroom. Many have been developed to be achievable
without the use of a press.
Swansea Print
Workshop can offer a range of courses, workshops or activities to suit
any venue or event. If you are interested in using this service and
would like a quote or simply wish to discuss it with a member of staff,
please contact Swansea Print Workshop on:
Tel.
01792 464418
E-mail
info@swanseaprintworkshop.org.uk
Workshops
Below are list of inset courses and direct workshops that we can offer schools:
Monoprint
Mono-print involves
the application of printing inks to a non-porous surface such as
plastic, which is then printed off. By its very nature, mono-print
offers almost limitless potential to experiment with colour and mark
making and can be printed over a variety of pre-prepared substrates.
Mono-prints can be printed with or without a press and great results can
be achieved without the need for specialist equipment. For this reason,
it is the ideal medium through which to introduce printmaking to
children. It offers students and printmakers alike a very simple and
direct way to produce an image and print it on to paper.
Working with
Stamps
Using stamps to print
with is probably the most familiar printmaking process that there is.
Stamps can be made from a variety of materials, including camping mat
foam, PVA sealed card, insulation board, thick glue and even objects
such as bottle tops, ring-pulls or food packaging. It offers children
the chance to experiment with a wide variety of materials and textures
and to explore shapes and patterns with freedom and inventiveness.
The word collagraph
comes from collage. It is a process that involves building a collage of
textures on a cardboard base using a variety of materials. The
plate is
then sealed and can be inked and printed to produce an image. The
impressive prints produced by this technique belie the simplicity of the
method.
Collagraph is
suitable for all ages and abilities as it is a highly accessible form of
printmaking. It relies only on paper, card and PVA glue to make the
printing plate and can be printed without the need for a press, using
multiple colours applied with foam rollers and hand pressure using a
simple wooden spoon.
Press-Print
Not to be confused
with the polystyrene sheets used by many schools, the press-print
process is done using plastic foam board, a material more often used in
the sign industry. Foam board can be drawn into with a biro to create a
shallow relief deep enough to print from. No cutting is required and it
is easy to trace/press an image directly on to the block.
Drypoint
Drypoint is a type of
etching that does not require the use of acid. Instead it involves
inscribing a line into the surface of metal or plastic to create a
positive drawn image from which to print. Ink is then worked into the
lines, and the plate is wiped clean where areas have been left unmarked.
An etching press is essential for this process because in order to print
from the inked plate, paper must be embossed into the surface to enable
it to make contact with the inks in the lines. This technique is known
as intaglio printing and has been used by many renowned artists down the
ages, for example Goya, Rembrandt and Picasso to name but a few.
Screen Printing
Screen print is a stencil based printmaking technique. Stencils are attached to a screen mesh, through which inks are squeezed with a squeegee. Because it does not involve any form of pressing, screen prints can be made on more or less anything flat. This means that in screen print, more than in any other medium, a print can be applied to the widest variety of substrates, including, paper, card, textiles, glass, plastic and metal. Excellent results are achieved by printing over pre-prepared backgrounds such as collages or prints.
Swansea
Print Workshop is a not for profit
company limited by guarantee
Companies House No 4078671: 19a Clarence Street Swansea SA1 3QR
© swansea print workshop 2006